Lest some of my more serious-minded postings leave the misleading impression that I take myself too seriously- or actually know what I am talking about for that matter- let me convey my humbling experience learning how to use a twelve foot long spear (i.e. yon tatami / ju-ni shaku, or 3.7 meters for Japanophiles or people from scientifically-sophisticated parts of the planet, respectively) as a means of disabusing readers of these impressions.
In June I had the great fortune to be able to learn from Manaka-Sensei at the Jinenkan Honbu Dojo in Noda City, Japan and to train with the students there for a week. In addition to the Jinen-ryu Juttejutsu (hooked truncheon weapon training) that I was taught during the week, I attended the weekly scheduled classes during which Sensei was teaching Shinden-Fudo Ryu Jutaijutsu Okuden Gata (unarmed grappling skills of a particular school and level) and Kukishin-Ryu Soujutsu (spear - fighting from the "9 Demons" school). The most challenging training of the week, it seemed, involved warm-ups consisting of the basic thrusts done with a 12 foot long spear.
Now the 12 foot spear is about 3 foot longer than anything I have trained with, and about 6 foot longer than anything I have trained with extensively. Also, it is a little beyond the ideal length for doing kata agilely (i.e. up to 9 foot). In contrast to just walking into the opposition or letting them ride/walk into the spear point in the manner of a foot-soldier. However, it is a workable length for kata (if you have the space), and, sadly, at this point there was no one with a bokken (wooden sword) parrying my thrusts and advancing in on me (or anything else that might be a challenge to my movement.) On the contrary, all I had to do was perform five simple tasks each time I thrust:
- Use the full length of the spear. (i.e. always end up at the very butt-end of the spear)
- Keep the lead hand palm down.
- Squeeze the shaft under my armpit just before impact.
- Pull back the spear point at least as quickly as I attacked and strongly.
- Keep on balance throughout the thrust. (i.e. don't lean, or be carried, forward)
Whether it was a lead-hand thrust, a rear-hand thrust, a thrust in which both hands were raised together in conjunction to swing forward like a battering ram, or, the ultimate challenge, thrusting from jizuri gedan no kamae-which essentially involved slinging the spear its entire length while getting all of the above elements locked in before it flew out of my hands- those five points were all I really had to perfect. Unfortunately, this proved to be about three points too many for any given thrust.
The training proceeded as such. I would concentrate intently in order to try to avoid throwing the spear out the side of the dojo or else wise making an ass of myself. When I thought I had it together, I would thrust. And Sensei would say: "Roll your lead hand over more."
On the next thrust I would concentrate on that, and he might say: "Don't lean forward."
And so it would go with Sensei displaying saintly patience as he cycled through reminders about whatever my single most egregious error was in the previous thrust- neither over-burdening me about all my mistakes, nor letting me slide with a substandard technique.
Having now been training for quite some time (it is 20 years this year since I first began attending training in budo), I have had progressively fewer opportunities to remember what it is like to be a rank amateur. This is not to imply that I am not frequently challenged by training. However, it is one thing to find difficulty in performing impeccable footwork, timing, breathing, or awareness when faced with a live training partner who is moving, adjusting, and countering; and quite another to have such difficulty carrying out the rote actions of thrusting air. This, I think, is a good way to reinvigorate one's training.
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